TALHA KORKMAZ / SERVICES
Developing typography, graphic elements and still visuals into moving narratives through timing, rhythm and transitions.
Let’s discuss the project
HOW DOES THIS WORK DEVELOP?
In motion design, when something appears matters as much as what appears. I organise text, graphic elements and imagery over time to build a readable sequence. From animating an existing visual to creating graphics for a video, we define the scope around the narrative.
Introducing a title, emphasising a detail and connecting scenes require different animation choices. I start with the order in which the viewer should receive information. Transitions and timing support that sequence and help the message become clearer.
Animating a poster or social visual requires a plan for separated layers and the order of appearance. I review the source material and reorganise it for motion where necessary. Opening and closing frames, and the time allowed to read each line, are part of the design.
THE IDEA TAKES SHAPE
From the first brief to the final delivery, every step follows the same visual direction.
Lower thirds, name straps, titles and section transitions can sit over filmed material. They should remain readable without obscuring the footage. We discuss the edit, backgrounds and need for repeated use to define a consistent graphic package.
Silent social content and a video with audio have different narrative conditions. We establish the ratio, duration, looping requirements and any music or sound material at the beginning. Export settings follow the publishing platform or editing workflow.
Deliverables and file requirements are agreed individually for each brief.
We discuss the message, duration, source material and role of movement, then establish the scene or graphic list.
I design typography, colour and composition and prepare sample frames for reviewing the information sequence.
I animate the approved frames, refine transitions and reading time, and check the relationship with any supplied sound.
I prepare the agreed durations and ratios and deliver files suitable for publishing or editing.
LET’S DEFINE THE NEED
A few sentences in response to these questions are a useful starting point for understanding your needs and defining the scope.
Yes, after reviewing the source files. Layered files are helpful; a flattened image may need elements separated or its composition rebuilt. We define this work during the initial review.
We can plan a graphic package. The editing software, reuse needs and expected outputs are discussed at the start so the handover fits the team’s workflow.
Yes. A shorter version may need a new information sequence and a different ratio may require a new layout. It helps to list versions before designing the main animation.